For me, sculpting is a conversation between the soul and the material—an unspoken language where form, emotion, and history merge into one.

When I face a block of clay, stone, or any medium, I don’t see raw matter—I see potential, waiting to be uncovered. Sculpting is not simply about shaping a figure; it is about listening deeply, removing the unnecessary, and revealing what was always there, silently waiting to be seen.

To me, sculpture is a form of timeless storytelling. It has the power to capture struggle, beauty, silence, and rebellion. It connects generations, cultures, and human experiences across time. While painting can speak in colors, and writing in words, sculpture speaks in presence. It takes up space—just like our memories, our histories, and our truths.

In a world that often rushes past the details, sculpture asks us to slow down and feel the weight of what matters.